Atomos Ninja V 5″ 4K HDMI Recording Monitor

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• 1920 x 1080 Touchscreen Display
• 10-Bit Exterior Viewable Monitor
• 4K HDMI Input
• Supports ProRes Raw with Select Cameras

สเปค Atomos Ninja V 5″ 4K HDMI Recording Monitor

แบรนด์	Atomos
Model	Ninja V
ขนาดจอ	5 นิ้ว
Brightness	1000 cd/m2
Resolution	4K
คุณสมบัติ	Atomos Ninja V Specs Display Panel Type IPS-Type LCD Display Size 5.0″ / 12.7 cm Screen Resolution 1920 x 1080 Aspect Ratio 16:9 Touchscreen Yes Maximum Brightness 1000 cd/m2 Bit Depth / Color Support 8-Bit+FRC (1.07 Billion Colors) Pixels Per Inch (ppi) 427 ppi Color Gamut 100% Rec. 709 Real-Time LUT Monitoring SDR I/O Video 1 x HDMI Type A (HDMI 2.0) Output 1 x HDMI Type A (HDMI 2.0) Input Embedded Audio HDMI: 8-Channel Audio 1 x 3.5 mm Mic/Line Input 1 x 3.5 mm Headphone Output Built-In Speaker None Power 1 x Barrel Input Other I/O 1 x LANC (2.5 mm) Card Slot None Format Support Video Format HDMI (8/10-Bit 4:2:2) DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 Video Signal Conversion HDMI to SDI DCI 4K: 24/25/30/50/60 UHD 4K: 24/25/30/50/60 1080p: 24/25/30/50/60/100/120 1080i: 50/60 720p: 50/60 Recording Pulldown Conversion 2:2, 3:2 Encoding Formats 3840 x 2160 ProRes 422, LT, HQ DNxHR HQ, HQX, SQ, LB Recording Media 1 x 2.5″ SSD (SATA III) 1 x AtomX SSDmini (SATA III) Power DC Input Power 6.2 to 16.8 VDC Battery Type 1 x L-Series Power Consumption 10 W (Typical) 19 W (Maximum) Mounting Mounting 2 x 1/4″-20 Female General Material of Construction Aluminum, Polycarbonate Dimensions (W x H x D) 5.94 x 3.6 x 1.22″ / 151 x 91.5 x 31 mm Weight 11.3 oz / 320 g Packaging Info Package Weight 2.385 lb Box Dimensions (LxWxH) 7.85 x 5.8 x 4.15″
Weight (kg)	1.0800
รับประกัน	1 ปี
Country of Manufacture	จีน

AtomHDR
With AtomHDR you can monitor up to ten stops of dynamic range of your camera’s LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

Supported Log Formats

• ARRI Log C
• Canon CLog / CLog 2
• Fuji F-Log
• JVC JLog
• Sony SLog2 / SLog3
• Panasonic Vlog
• RED LogFilm

HDR Recording

• ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
• Canon CLog / CLog2 / Clog3
• Fuji F-Log
• JVC JLog1
• Panasonic Vlog
• PQ10k, HLG
• RED LogFilm / Log3G10 / Log3G12
• Sony SLog / SLog2 / SLog3

Apple ProRes Raw Recording

• Record Apple ProRes Raw with select cameras at rates up to DCI 4K24 or UHD 4K30 and up to 120 fps in HD; this enables ProRes Raw capture in a small, mirrorless form suitable for a variety of applications. Compatibility with additional cameras will be added in a future update.

HDR Monitoring

• ARRI ALEXA Wide Gamut
• Canon Cinema / DCI P3 / DCI P3+ / BT2020
• Fuji F-Log
• JVC LS300
• Panasonic V Gamut
• Rec. 2100
• Rec. 709
• RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
• Sony SGamut / SGamut3 / SGamut3.cine / BT2020
• Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen.
• Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out.

4K 60p Capabilities
Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording
Record to standard 2.5″ SSD drives or to compact AtomX SSDmini drives, capturing up to 150 minutes of 4K video on a 1TB drive.

Audio I/O
Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

5″ Daylight Viewable Screen
The Ninja V features a 5″ IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.

HDR Signal Management
Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V’s built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

Anamorphic De-Squeeze
The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic’s 8:3.

Edit-Ready Recording
Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

Optional Expansion Modules
The Ninja V features a bidirectional high-speed video port along with power and audio which enables the use of the AtomX Ethernet/NDI and SYNC modules along with future module releases.

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